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ANNOTATED BIBLIOGRAPHY |
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Cgu *Wulien, Hilda H. "Inborn Qualities of the Human Voice." Eugenical News, New York, October, 1931, Vol. 16, p. 176.
There is evidence that vocal timbre and range are inherited characteristics. A brief discussion of sex factors in vocal development is given. %2. WycofiF, Eva Emmett/ "Bringing Out the Singing Voice/* Etude* Philadelphia, 1950, Vol. 48, p. 507.
Constant attention to forward tone production will prevent pitch de viations and distortion of vowels. Straining comes with improper breath control.
ggj. --------- "Essentials for the Singer." Etude, Philadelphia, 1928, Vol. 46, p. 136.
A few general remarks on open throat, breathing and musicianship for the vocalist. The less one thinks of musdes or their names, the more natural singing becomes.
Og^--------- "Good and Bad Habits in Singing.11 Etude, Philadelphia, 1935, Vol
53, p. 74L
Children unconsciously imitate the bad vocal habits of their elders* Gorrect posture and the value of physical and mental coorctmation in singing are briefly discussed.
§gs*. --------- "Mind, the Strong Factor in Singing." Etude, Philadelphia, 1955.
Vol. 53, p. 543.
Natural breathing and interpretation are discussed.
ggg. .--------- "Suggestions for the Singer." Etude, Philadelphia* 1-941, Vol 59, p.
306.
Enunciation, breathing and resonance are considered with several corrective suggestions added. The author's terminology is vague.
697. Yarroll, Harold Reeves. "Some Neglected Phases of Vocal Study.** Musician,
New York, March, 1936, Vol. 41, p. 54.
Abstract problems of tone production have no practical value for the individual voice.
698. Young, T. Campbell. " "Vocal Diction*—in a Nutshell.** Musk Supermsms
Journal, Chicago, October, 1932, Vol 19, p. 28.
An interesting and concise summation of vowel and consonant production techniques used in singing. Vocal continuity in diction is stressed.
699. Zerffi, William A. C. "Misconceptions Over Natural Singing.*' tf tenets*.
New York, July, 1933, Vol. 38, p. 4.
Everyone who can carry a tune can also learn to sing. Hie swallowing reflexes prevent soKalled natural voice production. These ideas are briefly discussed. 70a --------- "Must One Sing with an Open Throat?" Musician, New York, October, 1932, Vol. 37, p. 13.
An inquiry into the meaning of teaching nostrums that emphasize the "open throat" phrase. |
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